THING: a trans-action (première) by Lisa Vereertbrugghen and William Collins
10 & 11 February 2016, 20.00
Creators, Concept & Choreography
Lisa Vereertbrugghen and William Collins
Special thanks to
Eva Susova, Eleana Alexandrou, Nina Aalders, Simon Asencio, Esther Arribas, Roi Alter, Min Oh, Carlos Maria Romero, and Alice Tatge
Something Raw and Vlaams Cultuurhuis de Brakke Grond
Life Long Burning (LLB) project, co-funded by the Culture Programme of the European Union
Jasper van den Brink / Dwarsboom Studio
Our new production THING: a Trans-action, coproduced by Something Raw and Brakke Grond and created by Lisa Vereertbrugghen and William Collins, will premiere during Something Raw Festival at Frascati.
The performer at the centre of THING: a Trans-Action is material. THING penetrates the surface, descending to a level where everyday boundaries between human and object disappear. But rather than stressing fixed form, THING explores materials-in-flux. Bits or plastic and bomber jackets unfold, explode, implode, stick together and come apart. How can we approach identification without preconception? Seeing the thing not as simple fact, but as a process, full of potential to become anything else.
Lisa Vereertbrugghen studied dance in Berlin and choreography at the School for New Dance Development in Amsterdam. Her work balances on the boundary between performance and visual art and can regularly be seen in theatres and galleries. A recurring fascination in her work is the tension between code/meaning and material/affect. In 2013, she won the danceWEB Scholarship at Impuls Tanz (Vienna). In 2014, at Veem House for Performance, she created The performance formerly known as performance, a performance full of hard-core techno and superfast dance around the relationship between identity and camouflage.
William Collins graduated from SNDO in Amsterdam and the Laban Centre in London. His work is concerned with the politics of space and meta-modernist discourses on agency and participation. Collins won the IT’s Festival Choreography Prize and was commissioned to create Exclamations for Dansgroep Amsterdam, which toured extensively throughout the Netherlands. Currently based in London, he works internationally as a choreographer, adviser and lecturer. Recently, Collins has been developing his interests in writing as a metaphor for choreography in an attempt to look at an expansion of the possibilities of the discourse of agency within dance.